A Rossetti Family Chronology by Joanna Meacock Alison Chapman

By Joanna Meacock Alison Chapman

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Extra resources for A Rossetti Family Chronology

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He intends to start drawing at home from casts he owns, and needs to purchase an easel (Fredeman 1:24–5). 15 Another (unnumbered) issue of Hodge-Podge, from Paris, containing a prose account of a visit to a cemetery (ADC 18:12). 1843 21 23 This is the last issue of the family magazine, succeeded by the non-extant Illustrated Scrap-book (Fredeman 1:25). DGR refutes suggestions made by MMP that he is reading ‘indecent’ literature, writing to FMLR that he has just finished Bulwer-Lytton’s Ernest Maltravers (1837) and has begun its sequel Alice, or the Mysteries.

CGR Composition includes ‘The Chinaman’, in response to the China War (Crump 3:507; Bell 14–15). DGR begins to learn German at home under the tuition of Dr Adolf Heimann, a professor at University College (WDGR 678; Fredeman 1:5). In the 1840s, Heimann teaches all the Rossetti children; CGR later admits to ABH, ‘I was the lag last of us four’ (Harrison 4:182). 1842–43, influenced by Tony Johannot. GR Publication the first part of La Beatrice di Dante is privately printed. GR continues to work on Mistero dell’Amor Platonico.

DGR asks for WHH’s critical opinion on his manuscript poems (WHH 1:107–11; Layard 13–15). 1 (Thu) CGR composes ‘St. Andrew’s Church’ (Crump 3:419). 18 CGR composes ‘Grown Old’ and ‘Zara (“The pale sad face of her I wronged”)’ (Crump 3:419). 37) for the Cyclographic (FLM 121). WHH acquires a studio at 7 Cleveland Street, Fitzroy Square. DGR persuades him to share it, proposing to pay half the rent. The painter E. Rainford also becomes a sitting tenant. DGR inspires the sculptor Thomas Woolner to join their group (WHH 1:112).

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